Produced by Constant Gardner director Fernando Meirelles, this impressively audacious and high quality debut feature film from Brazilian writer/director Philippe Barcinski follows in the thematic and cinematically stylistic footsteps of Altman’s Short Cuts, Iñárritu’s Amores Perros and 21 Grams, and Haggis’ Crash.
Centering on the alternately tragic and romantic yet always unpredictable fates of its seemingly unrelated characters, we first meet Enio, a middle-aged Sao Paulo traffic controller whose orderly existence, driven by mathematical logic and scientific precision is thrown into a tailspin after he discovers there are things beyond his control. After a startling event shakes Enio to his core, we encounter the younger talented billiard player Pedro, who, similar to Enio has a passion for structure in the geometric design of his pool table designs, and later discover that he is also linked to the film’s earlier climactic event.
Polished, breathtaking and expertly photographed with a memorable score woven throughout, Not By Chance is one of those films that will not only get audiences talking about the existential matters of free will vs. destiny but will also benefit from a second viewing.