DVD Review: America's Hangar (2008)

The Smithsonian Networks'
DVD Takes Flight on 3/17/09

Bookmark this on Delicious

Print Page




In the latest DVD offering from Smithsonian Networks and Infinity Entertainment Group, viewers are given unprecedented access to Smithsonian Institute’s National Air and Space Museum which has “amassed one hundred years” of aviation history.

The collection-- which began humbly in 1882 with only a few Chinese kites to its name-- has since become one of the most visited museums in the world since the new and improved version officially opened its doors on America's 200th birthday in 1976.

The roughly hour long disc chronicles the ongoing battle to “leave the ground and stay there” in terms of historical milestones including such groundbreaking and well documented successes from individuals like the Wright Brothers, Charles Lindbergh, Amelia Earhart, and Chuck Yeager up through the era of the space race that answered President John F. Kennedy's challenge to land a man on the moon and return them safely to Earth before the decade of the 1960s was over.

Since these feats have been extremely well-documented in much more in depth historical miniseries, documentaries, and movies, the crew working on America’s Hangar jump around in time and place the overall emphasis on the incredible museum which throughout its existence has “preserved and displays many of the world's most renowned historic aircraft.”

Although the museum established in 1946, by the time the ‘70s rolled around, the museum which kept growing in size and eventually running out of room suffered from lack of space and heartbreaking deterioration of some of our most famous aircraft. When Senator Goldwater called it a disgrace, NASA astronaut Michael Collins became the museum director and helped shape it to the success it has become, now housing more than 300,000 feet of aircraft.

Dividing up the collection into several galleries from each individual war all the way up through our Air Transportation Gallery-- one of the most fascinating aspects of the museum is the fact that alongside the most famous American planes and space craft, we also house those from other countries that were involved in conflicts in which we thought such as the World War II gallery that also contains Japanese, German, Italian, and British planes.

And although they could not fit of B-17 into the museum, a beautiful mural was drawn in the memory of an ill-fated mission and as the documentary continues, we learn that several years later a widow came with her son and recognized that the eyes of the copilot in the painting resembled those of her late husband. Upon closer inspection at the comparison photo nearby, she realized that incredibly it was her husband being immortalized on the wall of the Smithsonian National Air and Space Museum. Having never been given closure or fully told what had happened in the war to her husband, she informed the staff that it was the first day she knew peace since she finally had discovered what had occurred during that mission.

It's the anecdotes like these that make you realize just how vital such a museum is as it is a piece of everyone's history and throughout the DVD, it's hard not to be moved by the inspiring craftsmanship, richness of history, incredible design, and limitless creativity and intellect that made everything we can see there possible.

Painstakingly and admirably-- the museum has prided themselves on not trying “to rewrite or change history but preserve it” by making the decision to restore the oldest aircraft with the same dedication and skill set required by those who specialize in restoring paintings from the Renaissance.

And even when working on something as emotionally harrowing as the B-29 Enola Gay which dropped the atomic bomb on Hiroshima-- requiring 300,000 staff hours to complete in the museum’s “largest such project”-- we marvel at the technicians’ decision to honor those who came before them by a using the exact same techniques that would have produced the plane all those years ago.

With a stunning precision in their craft and attention to the minutest of details, great care is taken to determine exactly what color would have been applied, as well as making the decision to re-glue items instead of just replacing them with something shiny and modern.

While some attendees have complained that they aren't allowed into the cockpit, misunderstanding that it's a historical site and not an amusement park as one of the interviewed individuals stated--the museum has answered that complaint by showing what the inside of any given piece of aircraft would look like from the inside with interactive computer kiosks, therefore giving the visitors the chance to see the world from the eye of the pilot or astronaut.

More of an exceptional “travelogue” style documentary that lets you journey to the museum from your living room rather than a straightforward historical documentary and on the first century of flight-- while you may feel slightly short changed that some of the historic events have been glossed over a bit too casually-- it's still another highlight from the Smithsonian Channel DVD Collection and one that fulfills the museum’s mission to “commemorate, inspire, and educate.” Of particular interest to history fans and school libraries, America’s Hangar, (which is also closed-captioned for the hearing impaired) is suitable viewing for the entire family.

Recent Highlights

Now that we've added extra pages and features here at Film Intuition, I'll be posting links to some content you may have missed in our Trailer & Photo Gallery, Video Screening Room, and Jen's P.O.V. Page.

Click on the Title Below to Explore

Film Intuition Interviews Debra Messing

Extraordinary Footage from NASA's When We Left Earth

Video Clip: SNL Primetime--Tina Fey & Will Ferrell as Palin & Bush

Exclusive Video, Art & Clips from Disney's Upcoming Tinker Bell

Music Video: Attack! Attack! UK's "This is a Test"

Soundtrack Review: Danny Elfman's Wanted

Kiss of the Spider Woman DVD: Trailer & Photo Gallery

Music Review: Dave Brubeck Feat. Paul Desmond (1956-57)

Full-Length Episodes: Season 2 of Adam-12

Minisode Video Spoof: The 30 Second Bunnies Reenact The Ring

Music Review: Rosemary Clooney (1951-52)

And remember to subscribe to the RSS feeds or e-mail newsletters from all of the pages to ensure you're always in tune with the latest additions to our growing site. More exclusives are scheduled to appear next week so keep checking back for more. As always, thanks for your readership and support.

When We Left Earth: The NASA Missions

VISIT

The Official Discovery Channel Website for the Series

Film Intuition: Video Clips & Photo Gallery

NASA's Website

NASA's Video Vault on Discovery Channel

Discovery Channel's Official When We Left Earth YouTube Channel

On May 5, 1961 when astronaut Alan Shepard became the first American man sent into space, a NASA interviewee reported that although the mission lasted just twenty minutes it was the equivalent of “total joy” or more accurately the “purest, happiest twenty minutes” of our lives in an event for which the excitement has never been matched. While many who grew up in the era of the space race and President John F. Kennedy’s historic challenge just twenty days following Shepard’s mission aboard Freedom 7 to put a man on the moon and return him safely to Earth within the decade can recall with unparalleled accuracy just where they were when Neil Armstrong fulfilled that goal, there’s no doubt that they’ve never been given the full story until now... unless they worked at NASA.

Despite catching glimpses of the much larger picture or “small steps,” if you will to quote Armstrong in cinematic epics like The Right Stuff and Apollo 13 and documentaries like From the Earth to the Moon and In the Shadow of the Moon that outlined some of the paramount achievements of the Mercury, Gemini and Apollo missions and astronauts, never before have we gotten such an insider’s view of the intricacies and entire history of the program until 2008.

In addition to “candid interviews of the people who made it all happen” we’re offered “priceless footage… from NASA’s own secret film vaults,” and “hundreds of hours of never-before seen film footage from the NASA archives, including sequences on board the actual spacecraft in flight,” which “have been carefully restored, edited and compiled” in the Discovery Channel’s groundbreaking six-part miniseries When We Left Earth: The NASA Missions.

Following a rave reception in its initial airing over the past summer, Image Entertainment has transferred the incredible set, narrated by award-winning actor Gary Sinise to both DVD and Blu-ray High-Definition. Boxed in a collectible tin and with a fourteen page booklet that chronologically outlines some of NASA’s most incredible major events, a rare and exclusive interview with Armstrong, it also contains an entire bonus fourth disc of never-before-released footage right from the NASA vaults.

When We Left Earth: The NASA Missions is the definitive collection on the subject that’s a must own not just for lovers of American (and global) history but also parents and academic institutions eager to educate the next generation about the courageous achievements of the men and women who have gone before them, daring to reach out into the unknown of space and witness the far side of the moon.

While initially I feared that breaking up the saga into six parts may make the series feel padded and test the limits of our decreasing attention spans, I was instantly riveted by the high-quality production value and the endlessly inspiring narrative that hooked me so much I completed the series in just two days.

Having been born into a generation where the only time we ever heard about NASA was when the news wanted to chronicle its failures instead of its achievements in the horrific tragedies of the Challenger and Columbia and the initial failure of the astronomically expensive Hubble Telescope, nonetheless I was always fascinated by the idea of NASA and one of my earliest ambitions was to some day ride a rocket as a female astronaut. While not knowing the difference between a compass and a protractor, proceeding to earn a "D" in college level Math 90, and being advised to sign up for “Physics for Poets,” helped outline my path that writing and the arts were where my talents seemed to fall, I’ve always been endlessly fascinated by the organization and especially its life-affirming unceasing quest to continually ask the existential, humanistic questions of who we are, where we came from, and what exists outside of this one tiny planet in an endless universe.

It’s easy to live day-to-day worrying about the little things or obsessing about the global events but what this series reminds us of-- throughout every single episode--is how much more is out there that we do not understand and that we should be far more united as a planet to unlocking the clues of a universe as opposed to increasing a divide between countries and emphasizing an us vs. them society. For, when the astronauts stare down from space, we’re all together in this great planet—indistinguishable—just mere inhabitants of one globe, which makes it a terrible loss that we haven’t pooled all of our intellectual and optimistic resources to find common ground in reaching for the stars. Still, the “total joy” of Shepard’s flight transfers to total joy on a DVD set that will hopefully inspire a new generation of inquisitive scientists and a new era for NASA.

Immediately challenging our stereotypes of astronauts as space cowboys—instead of just the heroic, clichéd tales of nostalgia, we’re presented fully fascinating portraits of men and women who could be our own husbands or wives or neighbors as they use the ability of hindsight to critique choices, offer a new approach to footage we thought we’d completely understood, or open our eyes to something different altogether. Of course, much like brain surgeons, astronauts and rocket scientists must definitely have a different outlook from the average bear and there are some macabre jokes and cocky assertions but after only viewing what one typical day is like, we realize that the bravado is necessary to get the job done as they find themselves in circumstances one couldn’t possibly imagine.

Chronicling not just the highlights of the organization but also its mistakes and tragedies involving those whose lives were lost along the way—we have a truly insider’s view of the painstaking process we’ve now come to take for granted as we find ourselves applauding each and every success in retrospect from the incredibly risky moment of both lift-off and the return home when you “fall back to Earth” and the heat shields hit Earth’s atmosphere where anything could happen as one blasts out of lunar orbit.

From mastering walking in space to crafting a suit designed to keep astronauts alive to surviving the “vomit comet” in order to deal with the questions of weightlessness, and figuring out how to send up NASA repairmen to fix things and improvise when necessary in order to salvage equipment, ensure successful missions and above all save lives, every single mission and step truly contributed to Armstrong’s “giant leap for mankind.”

Continuing on into the last three decades as NASA endured funding crises, public disinterest, disaster, until it began collaborating with Russia on the International Space Station, the set offers a complete picture of the program that has never before been compiled with this much depth and attention to detail.

A true testament to the power of the human spirit, our capacity to question, innovate and endure—When We Left Earth: The NASA Missions isn’t just the best nonfiction miniseries I’ve seen in years and certainly the most authoritative cinematic document on the subject but it couldn’t find its way to DVD shelves at a better time. For when we’re so fixated by the endlessly negative headlines of the state of our nation, we can all take a cue from the lessons of NASA to search for solutions, aspire for change, test the limits of our intellect, realize that we’re all in this as a human race (not just a space race) and remember that it’s not only okay but encouraged to reach for the stars where the only thing stopping us is ourselves.

To quote John F. Kennedy, “we choose to go to the moon,” and do these things, “not because they are easy but because they are hard,” and when things are this hard, there’s nothing better than telling ourselves that we are a people who have gone to the moon. Or as Alan Shepard might say, “Let’s light this candle,” and “don’t f**k this up,” for the power is ours and the sky is the limit and as we all learned in Apollo 13, "Failure is not an option."

Space Chimps

Director: Kirk DeMicco

Every monkey dance now! I’m not sure when the trend started, but by now it’s nearly become a prerequisite for all animated children’s movies to contain at least one '70s or '80s-inspired dance party sequence. In addition, the mandates seem to be doubly serious when the animated characters are animals — whether they’re penguins partying in the snow with their Happy Feet or getting jiggy with Shark Tale. Let’s just say that in the jungle, the mighty jungle, the lion can’t sleep tonight because he’s breaking in his dancing shoes, much to the delight of audiences everywhere even if it only occupies a precious few moments of screen time.

And while “the few, the proud, the monkeys” in Space Chimps are a bit footloose and fancy free, they’re more preoccupied with being chosen by a slightly shady Senator (voiced to delicious effect by Stanley Tucci) to “straighten up and fly right.” In this throwback to the days when NASA utilized primates in their earliest space missions, they are being sent on a risky quest to retrieve an unmanned lost ship that has journeyed through a black hole. While the no-nonsense, NASA-trained Titan (Seinfeld’s Patrick Warburton) and Luna (Curb Your Enthusiasm’s Cheryl Hines) take their assignment seriously, they find their rank challenged when the cynical, circus-performing grandson of the first ape in space, Ham III (Andy Samberg), is recruited to join the flight by the publicity hungry senator hoping to up the mission’s coolness factor.

With his career in mind, realizing that by now NASA and scientists in general are so nerdy that if this assignment is unsuccessful, the Senator has devised a fall-back plan to turn the center into a “Paint Your Own Plate” arts and crafts emporium. His motives seem to be unapparent to everyone except Samberg’s rebellious Ham, who says he doesn’t “want to be the warm-up act for human astronauts.” Tricking Ham into believing he’s taking part in a simulated mission, the three monkeys blast off for the great beyond, sliding through the black hole to arrive alongside the missing pod only to discover an inhabited planet where an egomaniacal and tyrannical leader is threatening to sacrifice the occupants in a hubris-driven ode for supreme reign.

Although on strictly entertainment value, it’s infinitely preferable to another animals in space children’s film due out this summer (the review of which will be forthcoming), Space Chimps pales in comparison to the more polished Pixar offering WALL-E (incidentally also involving the solar system) as well as my two favorite children’s films this year so far, Dr. Seuss' Horton Hears a Who and Kung Fu Panda. Despite this, younger kids will find Space Chimps’ skies far friendlier than the darkness of WALL-E, even if adults may find themselves looking at their watch several times throughout.

Refreshingly, keeping in mind the adults who must tow along the children in their lives, Chimps does make a genuine effort to insert clever intellect and mature humor such as a terrific sequence wherein Ham finds himself in a Freudian conflict between his Superego and Id, while chatting with Luna upon the cloud of Id as she continually asks, “How does that make you feel?” In addition references are made to David Bowie’s Ziggy Stardust album, modern technology in the form of “banana-berries” as well as sky-travel classics such as Airplane, as one character notes that he’s picked the wrong day to quit eating bananas as a salute to the iconic Lloyd Bridges character.

Harmless and light — although it’s certain to vanish in the wake of The Dark Knight in its opening weekend — the lackluster but mildly entertaining interstellar Chimps will be sure to garner a bigger family friendly audience when it arrives in the DVD galaxy and can be savored in living rooms where toddlers can dance along whenever the chimps feel the obligatory need to turn the beat around.

In the Shadow of the Moon

Director:
David Sington

“We go into space because whatever mankind must undertake, free men must fully share,” President John F. Kennedy informed Congress in 1961 while outlining his challenge for the United States to not only land a man on the moon before the end of that particular decade but ensure his safe return back on our planet.

In David Sington’s treasure of a documentary presented by Ron Howard, audiences not only discover the great pains taken by NASA in order to make that dream a reality but are also given unprecedented and incredible firsthand accounts by the astronauts of the nine Apollo missions (1968-1972) who share their own recollections and insights into what it is like to travel to the moon.

While critical assessment of Kennedy’s motives seem to infer that it was primarily a political quest to beat the Russians in the space race, what cannot be argued is how extraordinary that prospect was and how, in putting together the best and brightest individuals who, as Tom Wolfe famously wrote had “the right stuff"--and contrary to the public’s typical perception of the men as “space cowboys”-- the astronauts were actively involved in the design and helped make space travel possible. In recounting not only the landmark successes but also the horrific tragedies including the deaths of the first three Apollo astronauts who perished in an electrical fire while trapped inside their spacecraft, the film also provides an intriguing counterpoint to the Vietnam era as astronauts confess that had it not been for NASA, they would’ve been overseas and while one admits that even though it may not have been a just war, he still feels immense guilt about his colleagues fighting his war for him.

Particular attention is paid to the monumentally historic Apollo 11 mission that found Buzz Aldrin, Mike Collins, and Neil Armstrong-- three seemingly ordinary men all born in 1930-- become instant heroes in July of 1969 with their fateful three day trip to the moon. While it’s the “coolest under pressure” Armstrong and the technically aware Aldrin who have always gotten the majority of the press, I was especially mesmerized by the accounts of Mike Collins, the least celebrated hero of the three, most likely because he was the one who was chosen to oversee the men’s moonwalk from the craft. With his charm, wit and brains, Collins helped keep the entire event into perspective by illuminating audiences with his confession that there is so much to do on the journey and so many different things that can go wrong at any given time that contrary to most people’s assumption that the men are just there for the ride, it’s far more complicated and stressful than one can imagine.

Sington’s In the Shadow of the Moon is a vital documentary that’s particularly riveting given the lack of media interest in NASA, as it seems that, at least for my generation whose first accounts of astronauts came with the horrific devastation of the Challenger, the only time NASA is given any media attention is when something goes wrong.

Above all, Shadow offers an important, life-affirming celebration of a time when individuals could not only fly high through the sky but visit other worlds by the sheer force of their brain power, ambition and will.