Showing posts with label Global Warming. Show all posts
Showing posts with label Global Warming. Show all posts

2/20/2009

DVD Review: Simon Schama's The American Future: A History (2008) -- 2-Disc Set



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As soon as you're presented with Columbia University professor and noted historian Simon Schama-- a rather humble looking British man who launches into a mini-lecture of the history of America's power of reinvention-- admittedly, those unfamiliar with the individual will find their minds wandering.

A British expert on American history? What gives?

Yet before it starts to register, Schama answers the question. He does so in his witty yet slightly defensive special introduction which is included in this recent Warner Brothers BBC joint 2-disc release as a new update following the election of President Barack Obama to help lead into the original four episode miniseries that had initially aired across the pond.

Having lived nearly half his life in America, Schama has developed both an affinity and critical interest in what makes America tick and why he believes that its history affects every other single country around the globe. To this end, he purports to address why American history matters and why it always did by journeying into where we've been in the past to where we are today and how that should and will influence our country's power or rather it's "genius of... reinvention" for the future. He breaks it all down in the partly fascinating yet overly dry miniseries that fixates on four distinct topics including: "American Plenty," "American War," "American Fervour," and "What is an American?"

Tackling everything from our founding fathers to our imminent global warming crisis to the many wars we've fought to the religious nature of an overwhelming number of Americans to the fight over immigration-- our host and narrator does indeed at times offer us a "historical illuminations" as promised. However, and quite troublesomely despite what seemed to be his earnest hope to do the opposite-- more often than not and in stark contrast to his role as a historian or researcher, Schama's narrative and coverage seems as though it always had a road-map even before he began hitting the books (and indeed he did write a book).

For, within just precious seconds of each episode, you'll know precisely the conclusion he hopes to make in a way that even-- as a proud "die hard left-wing liberal"-- I found a bit irritating as the coverage is uneven, diving in with a "shame on you, Yanks" finger pointing subtext that rears its ugly head a bit too often for my taste. And although he tries to show how to turn things around despite defects in our past, it's the defects he relishes in with a Phillip Glass style score on the "war" episode etc. that makes the documentary seem a bit superfluous to countless projects out there already.

Moreover, often it almost appeared as though he's intending to simply provoke rather than inform or inspire in the same way his seemingly idolized President Barack Obama (who appears so often throughout the series it's as if Schama knew he'd be elected) does. And instead-- by jumping around in chronology and pulling facts together in a haphazard way-- he fixates solely on all the problems of both sides of an issue (immigration, for example) that he results in making us feel things are too desperate to resolve.

Ironically, although Michael Moore is a far more polarizing figure-- the one thing one can't accuse that documentarian of is making you feel hopeless but rather hopeful in that reminding us that change is in our hands. As, although this is a similar idea throughout Schama's work (or he wants it to be), it gets contradicted often enough that his good intentions are unfortunately lost.

While in roughly 240 minutes-- of course, he can't exactly give subjects perhaps the time and consideration he probably should in introducing a broad scope of ideas and important issues. Yet, despite this, he does hold our attention in discussing the reality that the scarcity of water is an even greater threat to America's future than oil and some fascinating information about the intellectual battle of brawn verses brains between Teddy Roosevelt and Mark Twain to sharing the little known history of the oldest synagogue in America.

Much like a good professor-- overall, he inspires us to want to seek out more information for ourselves on some of the gems he drops in our lap and he does manage to clue us in on some historical facts of which many of us were definitely unaware. Yet still there's something about the entire documentary's tone and Schama's constant reminder to us that we need to become "born again" (by showing how necessity has driven us in the past to find water, fight for land etc.) that seems less inquisitive and earnest than it should.

For, in lieu of the goal to promote change, it's often presented at times-- as a bit of fervent condescension as Schama grasps at facts spanning hundreds of years apart to string them together in a way which he feels provides the reason we're in as much trouble as we are and then throwing out a one-sentence "here's what you must do" before fixating once again on our "downfall."

Yes, American history matters and it has always mattered and especially now in these troubling times, change is a necessity but possibly it's because of our contemporary political and economic landscape that Schama's miniseries seems a bit like throwing salt into an open wound. And, although it may have played better at a different date-- the simpler solution would most likely have been if he'd truly stuck to his thesis and focused on the idea of inspiring change (a la the series' frequent inclusion of President Obama clips) rather than focusing on disaster.

5/20/2008

The 11th Hour

Directors: Nadia Conners & Leila Conners Peteterson

Despite bearing a freakishly uncanny resemblance to decades old photos of my grandfather which has prevented me from joining the legions of his lusty admirers, I must admit that the handsome Leonardo DiCaprio makes a far more appealing alternative to watching a roughly one hundred minute Power Point Presentation. This being said, as environmental awareness documentaries go in explaining the horrors of Global Warming, The 11th Hour pales in comparison to Davis Guggenheim’s Oscar winning film An Inconvenient Truth starring Al Gore.

Admirable, well-intentioned and filled with diverse figures from scholars to scientists, 11th Hour producer, narrator, co-writer and star DiCpario continues the conversation set forth by Gore in this exceptionally crafted yet largely ineffective documentary. Many have accused The 11th Hour of simply preaching to the choir of those of us who not only saw the Truth of Gore’s film but have also tried to change the ways in which we live our lives whether it be with a simple eco-friendly light bulb to purchasing a hybrid automobile. And in regards to Leo's Hour, one must admit that its core audience would be those who not only accept the proven argument of Global Warming but are also aware that change must occur.

In addition, although we’re living in a time of undeniable environmental crisis with little time left to change our ways to stave off unspeakable catastrophe from the irreparable harm we’ve caused to our planet, spending an entire hour chronicling everything that went wrong following the Industrial Revolution which has brought us to our current state of too many citizens, using too many resources, much too quickly doesn’t really do much in guiding audience members to solve problems. Instead of overwhelming us with negatives and threats which are undoubtedly accurate and devastatingly urgent, playing the blame game with too many hellfire and brimstone like environmental sermons about an impending doomsday makes us feel even more powerless and thus far less likely to act.

Despite this, the finally thirty-five minutes are indeed inspiring in outlining some of the ways in which ordinary citizens have gone beyond narrow viewpoints and self-obsession in seeking inspiration in nature to strive for sustainable design. However, in the end, the film’s original thesis that the incredible, limitless potential and extraordinary abilities of the human mind will save Earth from turning into Venus (as Stephen Hawking fears), becomes a distant memory, as directors Nadia Conners and Leila Conners Peterson paint a bleak portrait with the final cut of The 11th Hour which ultimately provides more information than answers, making us long once again for Professor Al Gore and his trusty Power Point Presentation.

3/01/2008

In the Valley of Elah

Director:
Paul Haggis

Inspired by a true story, this heart-wrenching and gritty drama follows career army veteran Hank Deerfield (Tommy Lee Jones) who gets a startling phone call from his son Mike’s base in New Mexico’s Fort Rudd stating that Mike (Jonathan Tucker) has gone AWOL just after returning to American soil from his time in Iraq.

Leaving his worried wife Joan (Susan Sarandon) behind, Hank sets off from Tennessee to try and find his son, assuming that he’s just disappeared for awhile to enjoy himself and blow off some much needed steam only to be devastated by the unspeakable aftermath following the discovery of his son’s charred remains. Caught between the bureaucracy of the army base that wants to take over the investigation of one of its own and the local police who struggle against that red tape daily, Hank fears that the crime will be covered up and conducts his own investigation after grudgingly receiving help from Detective Emily Sanders (Charlize Theron) who, tired of being ridiculed by her sexist male coworkers aids Hank in his quest.

With only a few clues to go on sent by Mike himself in the form of e-mailed photos and a fried cell phone containing brief video clips shot by Mike while in Iraq that Hank hires a hacker to try and unscramble, Hank and Emily go down a road of haunting deeds and outrageous lies that shocks them, and the audience, to their very core.

While largely ignored, as other Iraqi themed films were in the fall of 2007, In the Valley of Elah garnered rave critical reviews including prominent placement on top ten lists from noteworthy sources and also recognition in the form of an Oscar nomination for Jones as Best Actor, although his role in this was overshadowed by his even more potent supporting turn in No Country for Old Men which, like Elah, also costars Josh Brolin.

Written specifically for Theron and originally as a vehicle for Clint Eastwood who helped get the film greenlighted (IMDb), talented writer/director Paul Haggis (Crash) crafts a memorable and emotionally charged film that will not only haunt audiences for days but also admirably and subtly without preaching, make us wonder just what we are doing to another generation of young military men and women by sending them into foreign countries to fight wars that do not make any sense, yet they go bravely like David fighting Goliath in the biblical story where the film received its name.