Showing posts with label Angelina Jolie. Show all posts
Showing posts with label Angelina Jolie. Show all posts

4/02/2009

Blu-ray Review: A Mighty Heart (2007)



Now Available on Blu-ray



Previously Available in Other Formats



Read Mariane Pearl's Book






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It’s something that we take for granted as it arrives on our stoop in the morning causing us to leave newspaper ink fingerprints as we go about our day; scan the bottom of the channel CNN to view the crawl instead of listening to be endless and repetitive pundits; or read online via The Huffington Post, The New York Times, etc.

But what we don't realize in this age of readily available information is that the news has to come from somewhere and it's derived from the tireless and courageous pursuits of journalists around the globe where -- even in the 2000s -- someone can get into a cab and disappear into a horrific nightmare which leads to their death. No, this is not the stuff of a novel but a hellish page one feature that resulted in the true and heart wrenching story of Wall Street Journal reporter Daniel Pearl's kidnapping and eventual beheading which took place in the winter of 2002.


For what Variety called his first studio film, director Michael Winterbottom (24 Hour Party People), helmed the emotionally riveting and compelling docudrama A Mighty Heart and in doing so, set about tackling the true account of Pearl’s life and disappearance as captured in nonfiction form by his widow, Mariane Pearl.




Adapted by Band of Brothers screenwriter John Orloff, A Mighty Heart is a devastating and tense work that brings us into the investigation via Winnterbottom’s astute cinematic approach that on the surface seems technically similar to The Constant Gardener but quickly evolves into its own startlingly realistic rhythm.



The film from Paramount Vantage and produced as a project of love by Brad Pitt whose partner Angelina Jolie takes on the role of Mariane is supremely enhanced by a plentiful employment of cuts from editor Peter Christelis that never gives us the opportunity to settle into any given moment as nary a shot lasts more than a few seconds to ratchet up the urgency even further. Likewise, Winterbottom strictly adheres to his style, throwing viewers off balance via fast close-ups and cinematographer Marcel Zyskind’s constantly moving high definition handheld camera.

However, all of this was picked up on during my second viewing of the work as it hits Blu-ray in a transfer that seems entirely fitting to move Winterbottom's film that was shot in high definition to the newsreel, docudrama, hellish home movie style high definition format.



For, like most viewers, the first time I caught A Mighty Heart I was less conscious of the seemingly effortless artistry and instead incredibly overwhelmed by the dynamic yet subtle performance by Angelina Jolie as Mariane who-- very pregnant-- kisses her husband goodbye as he steps into a cab, never to see him again.


Although one of the hurdles of the work’s success which some critics argued was that it may have been completed a bit too soon after Danny's demise since we all precisely we know how it will all turn out as officials, government specialists, colleagues and others wait alongside Mariane using a wide variety of journalistic and detective based techniques to try to follow Daniel’s final story about Richard Reid in Karachi, Pakistan. Simply put, Pearl’s alarming and highly publicized disappearance and shocking end to his young life horrified citizens around the globe and some questioned whether or not this should be captured on celluloid while the wounds were still left unhealed.


However, although we know what coming, it’s all the more upsetting when we are placed by Winterbottom in the house of his soon to be widow. A finely crafted film that features Jolie’s best work since her Academy Award winning turn in Girl, Interrupted-- the Blu-ray’s technical efficiency is very impressive boasting a natural sound balance even when using a simple HDMI cord which nicely matches the heightened picture that seems far crisper given Winterbottom's tendency to use (as he shares in the making-of-featurette) as little light as possible.

Angelina Jolie


The thirty-minute minute behind-the-scenes documentary “A Journey of Passion,” displays not only Winterbottom's masterful craftsmanship that served the intimate location well during its five-week shoot but also the ensemble cast’s fierce commitment to be as authentic as possible in bringing Daniel and Marianne Pearl’s story to life. In fact, if you've are a seen the film before, you may actually want to begin the Blu-ray experience by taking in this featurette first as it makes you appreciate even more the supporting work by actors such as Dan Futterman, Archie Panjabi, and Will Patton.


Also containing an optional but highly informative 2007 public service announcement introduction with Christiane Amanpour as she discusses the sad facts that journalists are not only targets for what they write but what they represent which is bringing the news, and the facts from some of the farthest reaches of the world straight to your driveway every morning.



In order to counter the ignorance and hatred that led to the murder of Daniel Pearl as well as (“some 230 other journalists [that] lost their lives at the time of Pearl's kidnapping” as Ebert referenced from Pearl’s memoir) which Amanpour, Mariane Pearl, and Roger Ebert conclude “means… [that journalists had a] proportionately… higher death rate than combat soldiers,” the Daniel Pearl Foundation (http://www.danielpearl.org) was started in an attempt to use journalism, music and the arts to break down barriers and encourage tolerance, acceptance, and understanding-- namely everything that was lacked when journalists lose their lives.


Additionally, the Blu-ray disc also offers a mini-featurette that charts the historical inception and efforts made in the Committee to Protect Journalists (CPJ) which began a little over 25 years ago with the mission to protect journalists as in some countries the First Amendment we so enjoy in this nation does not exist and the freedom of the press is an unfamiliar phrase and what journalists report may in fact lead to not just persecution but death in their respective homelands.

And yes, admittedly I grant you that audience’s tolerance of any post-9/11 films has been virtually nonexistent as several high-quality, thought provoking cinematic explorations have either crashed and burned at the box office or been left to gather dust on video store shelves. Likewise, even as a critic who tries to be open to watching as many types of films as possible, I was hesitant to take in some of the extremely depressing Oscar bait fodder served up into theatres last fall and winter.

However, A Mighty Heart remains timelier than ever as the line between the media and the public is increasingly blurred with Twitter updates filling the bottom of CNN screens and bloggers around the globe starting to report the stories that matter while some of our most lauded institutions such as Roger Ebert’s Chicago Sun-Times declare bankruptcy.

In other words, in this day and age-- whether it's via YouTube or podcasts-- more individuals than ever before are taking advantage of the idea of the “freedom of the press” and so it is necessary for all of us to honor the sacrifices made by the men and women who did this to help bring truth and justice to light by taking time out to learn more about story of Daniel Pearl whose attempt to bring us the news that transfers from the ink pages to our fingers now transfers to our keyboards on a regular basis.

So, given the unparalleled democracy of the world wide web when we all have the chance to become Daniel Pearl, let us remember the way he lived and his reasons for his work rather than the way he died being the type of snippet of information we take for granted on the CNN crawl.

2/17/2009

New on DVD & Blu-ray for the Week of 2/15/09

Jen's Pick of the Week

Religulous



Click Here to Explore All of Amazon's New Releases

Or Use the Google Search Box Near the Top of the Page to Find Film Intuition Reviews or More Information on Any of the Titles Listed


The Beverly Hillbillies (Season 3)



Body of Lies





Butterfly Effect (2004) [Blu-ray]

Changeling



Choke



Cold Mountain (2003) [Blu-ray]



Dead Like Me: The Complete Collection



Dead Like Me: Life After Death







Feast III: The Happy Finish



Flash of Genius





Ghandi (Blu-ray)



Good Will Hunting (1998) [Blu-ray]

The Helen Morgan Story

High School Musical: Remix [Blu-ray]

High School Musical 3: Senior Year



Hobson's Choice



Hostage (2005) [Blu-ray]

Hounddog



How to Lose Friends and Alienate People



I Served the King of England



Jackal [Blu-ray]

Kramer vs. Kramer



Law and Order: Special Victims Unit (Season 8)



The Midnight Meat Train



Murder She Wrote (Season 9)



Palo Alto, CA



The Passion of the Christ (Blu-ray)



Pulp Fiction (Import) [Blu-ray]

Quarantine





Religulous



Sabrina the Teenage Witch (Season 5)



Screamers: The Hunting



The Silver Chalice



The Tudors: Season 1 & 2



1/18/2009

TV on DVD: George Wallace (1997) -- Two Disc Special Edition DVD Set

Own the Emmy & Golden Globe Winner
On 1/20/08





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"Drama is reality in imaginary circumstances."
-- John Frankenhemier



(As Quoted in Vision and Conflict:
Collaborating on the Wallace Saga
; Disc 2)

Long before "We Know Drama" became TNT's slogan, John Frankenheimer knew drama. He always had a special admiration for works of historical, cultural and political importance, including not just the made-for-television award-winning biopics and true tales that defined the last chapter of his career with the creation of films including Andersonville, The Burning Season, Against, the Wall, and Path to War but as evidenced in his earliest work like The Manchurian Candidate, The Train, The Young Savages, Birdman of Alcatraz and Seven Days in May.


A fascinating and politically active man in his own right-- still having never gotten over the haunting feeling of-- as he notes on Disc 2 of George Wallace-- driving his house-guest Robert F. Kennedy to his death at the Ambassador Hotel, as a filmmaker, Frankenheimer paid special attention to all eras but as an audience, we felt that it was never as urgent as when he chronicled his own. Namely, he was at his best when tackling the turbulent era from the '50s through the '70s in the wake of civil rights struggles, the sexual revolution, the Vietnam war, and countless assassinations.



Upon the initial description, it may seem-- much like when we'd heard Oliver stone was taking on first President Nixon and then President George W. Bush-- to be an odd fit to imagine Frankenheimer spending time on the life of controversial segregationist, presidential candidate, and divisive Alabama governor George Corely Wallace but a masterful filmmaker with a penchant for the evolution and development of nearly theatrical acts in his storytelling structure, it's precisely this idea of a friend of R.F.K. having the empathy, fascination, and open-mindedness to do a film without intense judgment or agenda. The result of which made Wallace one of the most critically acclaimed miniseries from 1997.



Earning its star Gary Sinise, his leading lady Mare Winningham and the director an Emmy award for their tremendous achievement, the film also proved to be a hit with the Hollywood Foreign Press, earning the Golden Globe for both Best Miniseries as well as a Best Supporting Actress award for its breakthrough performance by an impossibly young Angelina Jolie in her first major role.



Recounting tales from both the set and their relationship with the deceased director in a wonderful roughly twenty minute extra in which we learn that Frankenheimer considered by Jolie to have been "one of the most influential men in my life." Additionally he was also so esteemed for his willingness to collaborate by actor Gary Sinise (by that time an acclaimed director in his own right with Of Mice and Men) that he and Frankenheimer had actually begun to form a company in the hopes of continuing to develop and create great projects.



Above all, Frankheimer's widow says that while her husband had an overwhelming affinity for political material, his sheer love was for stories about "people coming back against all odds." Obviously, this is epitomized by Wallace whom, Frankenheimer described as a twentieth century Faust who sold his soul to the devil for political gain by aligning with the Klan and inspiring so much racial hatred and destruction that during his candidacy for the U.S. presidency, he survived the five bullets fired at during a harrowing 1972 assassination attempt in Laurel, Maryland which left him wheelchair bound and paralyzed until his death (incidentally one year after the release of the miniseries).



Refusing to simply paint the easily labeled man a "monster "or true villain, Frankenheimer made an intriguing choice along with writers Paul Monash and Marshall Frady who worked from Frady's book to chronicle an extraordinary amount of the man's life, of which most viewers are unfamiliar.



Beginning with the shooting itself, we move back into the man's life back in the '50s when he was known as a left wing idealist tirelessly crusading for an "equal deal for the common folk" under the guidance of his mentor, Alabama's Governor Big Jim Folsom. This particular act of the film ends at the critical point when he breaks free from the civil rights minded Folsom to form a shocking alliance with the powerful Klan in order to secure himself the governor's seat after losing the election his first time out.



Growing increasingly segregationist and easily pliable-- bending to the will of the Klan and his handlers to ensure he stayed in power-- the film moves through the tumultuous '60s which found him taking on Robert F. Kennedy over the battle of letting two African-American college students into the University of Alabama, using horrific tactics to stop Dr. Martin Luther King Jr.'s march on Birmingham until he begins to make amends for his ways, apologizing and seeking the forgiveness of the African-American community after those fateful bullets changed his life forever.



Proving there are countless acts in one American life and never letting him off the hook (inviting us to make our own decision), the film succeeds mightily due to the tour-de-force of its star Gary Sinise who, understandably admits that-- having just played President Harry Truman and given the film's subject matter-- he wasn't sure he was willing to take on Wallace.

However, when Frankenheimer arrived at his door with books, videos, and endless logic, Sinise eventually gave in and turned in one of his finest performances in a career that honestly-- we've begun to take for granted-- given Sinise's consistently impressive work (that has amazingly never won him an Academy Award).



Offering remarkable praise not only for his director but also Winningham for whom he felt a deep admiration and joy of being able to work with on a daily basis as she portrayed Wallace's first wife Lurleen, he also recalls how impressed he was by the then early twenty-something Jolie with whom he shared an ongoing ethical debate about Wallace in deciding whether he was a racist or an opportunist and ultimately which one of those was worse.


Wallace is filled with Frankeheimer's trademark classical style cinematography. In doing so, the camera team blended both black and white film to replicate some of Wallace's most infamous moments that are forever ingrained in the American memory as he stood in front of the schoolhouse door to prevent two African-American students from entering as well as startling color that matched each specific year.

Capitalizing on Frankenheimer's fondness for big wide frames or more specifically super-tight closeups on the faces of characters, the lensing gives an off-steady balance (especially in crowd or party scenes) when we feel as though we were--like Wallace-- lost in a sea of people that could suddenly turn deadly.

Arriving on DVD for the first time in this two disc special edition from Warner Home Video-- while the technology of the small screen work does make it look a bit grainy in places--perhaps this is more evident when one tunes into Wallace right after watching a 2008 or 2009 DVD or Blu-ray-- it's an immensely fascinating piece filled with integrity that above all, illustrates as Sinise noted, his admission that when it came to Frankenheimer, he'd "never seen a director fight harder to protect the quality of the product" during the film's shoot.


Opting to release the film on DVD especially on January 20, to coincide with as Warner Home Video Vice President of TV and Special Interest Marketing Rosemary Markson revealed, "the inauguration of this country's first African-American president" in order to illustrate "the tremendous strides the United States has made since Wallace's day," to this reviewer the idea of these two items happening concurrently--especially considering that Wallace was still preaching hate less than forty years ago-- makes the DVD an especially valid choice for a high school political science classroom.

11/09/2008

DVD Review: Kung Fu Panda & Secrets of the Furious Five-- Pandamonium Double Pack






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In honor of today's DVD & Blu-ray release of the incredible animated film, Kung Fu Panda along with its straight-to-DVD companion Secrets of the Furious Five, I'm offering you an insider's view of the DVD that DreamWorks Animation and Paramount Pictures Home Entertainment were kind enough to send my way. However, before I go into the DVD features and review Panda's Furious Five sequel, first I'll serve up an excerpt of my original theatrical review of Panda, originally published on June 16.

Kung Fu Panda



Directors:
Mark Osborne & John Stevenson

"...We begin with Po the overweight panda-- a typical underdog, kung fu worshipping or Daniel Laruso like Karate Kid (voiced by Jack Black), who, although tirelessly devoted to his hardworking father who runs a family noodle shop, dreams of someday joining the famous “Furious Five” warriors he fantasizes about in his room, which are comprised of Tigress (Angelina Jolie), Monkey (Jackie Chan), Mantis (Knocked Up’s Seth Rogen), Viper (Kill Bill’s Lucy Liu), and Crane (Arrested Development’s David Cross). As Po sees it in his mind, he’s the missing Bruce Lee like link to rounding out the six with witty lines he creates such as dreaming he's telling those he’s saved that “There is no charge for awesomeness or attractiveness.” While his dad relates to having a goal, having aspired to run away from his responsibilities for the dangerous lure of making tofu, he tells his son Po the adage he’s resigned himself to which is that they’re noodle folk with broth running through their veins...



..."With a brisk running time of roughly ninety minutes, admirably not overstaying its welcome in a way that has become Pixar’s Achilles Heel in their last few offerings including the dully paced Cars, Panda offers a terrific action story in the mold of some of our best loved kung fu classics complete with several obstacles, a training montage, and seeking wisdom from eccentric elders, and seems to be the perfect introduction to children for the genre and one that, not only am I considerably glad one of my best friends told me to see but also one that I wouldn’t hesitate to purchase for my nearly five year old Star Wars obsessed nephew as soon as it’s released..."

Click Here to Read the Complete Review of Kung Fu Panda


Panda the DVD's Bonus Features


As witnessed with their recent release of Shrek the Halls, one of the things that DreamWorks excels at is filling their child-friendly DVDs with enough video game styled activities and easy to use special features and menus to make their DVDs tremendously appealing. While Shrek the Halls and Panda's counterpart, Furious Five are mostly tailored directly for youngsters, the crystal clear transfer of Kung Fu Panda from theatre to DVD is augmented by extras for all ages.

Providing a feature-length running commentary by the film's two directors as well as some excellent behind-the-scenes making-of-featurettes that will delight film lovers as we realize we can't even begin to fathom how much work it was to creat a humorous animated hybrid of a kung fu comedy to appeal to children and adults, we're given the DVD equivalent of a DreamWorks Animation Studio pass.



Meeting the chief technology officer who picked up the gauntlet thrown down by the directors to make Panda a no-holds-barred, exciting action movie to appeal to kung fu fans, we also encounter other members of the large creative teams from the effects and rigging areas, computer graphics specialists, a kung fu choreographer who works alongside other supervising animators to those whose role it was to focus purely on the character surfacing and effects to figure out just how to make an animated character jump twenty feet in the air and do a roundhouse kick.

Ultimately approaching the animation style of the characters themselves as though they were plush toys or as one team member jokes teddy bears who get into fights, there's also an amazing feature on the film's sound design headed up by an industry veteran who collaborated on King Kong, Transformers and Lord of the Rings. Watching the team try everything in an attempt to think outside the box from using a plunger on one man's forehead to mimic a possible sound that Po the Panda would make when he sloshes around, it's especially cool when the effects and behind-the-scenes work are shown side by side with the finished product as the group uses real world objects "to create a sonic tapestry."

And of course, since it is animation where every sound must be created, there's also a great featurette which gives us access to some footage of the cast recording sessions as the all-star talent discusses the challenges and joys of playing their characters from Jolie's desire that she was dying to be the tiger and feared Chan would get that part to some genuinely hysterical off-the-cuff remarks from Seth Rogen who Jack Black reveals was the ultimate improvisational artist of the group. And whether it's Dustin Hoffman joking that he refuses to be in a movie unless he gets to play a character who's endangered as he remarks he gets the "shifu kicked out of" him to David Cross admitting he would hang out with his alter-ego Crane in real life, it's especially revealing when Lucy Liu shares that the actions, movements, and facial expressions of each actors' performance in the studio were ultimately used in shaping each individual character onscreen.



Also featuring some great high-brow extra features wherein TV's Iron Chef host Alton Brown visits Mr. Chow's restaurant to discuss noodle making, along with Conservation International's call to Help Save Wild Pandas, or a tutorial on How to Use Chopsticks, there's added fun for kids involving DVD-Rom features, printables and web-links, trailers, the DreamWorks Animation Video Jukebox I described in my Shrek the Halls review, plus a fun Cee-Lo "Kung Fu Fighting" music video, and an interactive feature to learn some basic kung fu in Master Shifu's Dragon Warrior Training Academy.

Secrets of the Furious Five DVD

Director:
Raman Hui

While it's easy to be skeptical when a twenty-four minute short film hits DVD as a tie-in to a blockbuster hit, especially when one realizes that we have a different director and few of the original voice actors involved, after only a few minutes of Furious Five, it's easy to cast those fears aside. High-quality and fun, Secrets of the Furious Five is structurally shaped like an excuse at a positive after-school special as Master Shifu (Dustin Hoffman) surprises Po (Jack Black) with the prospect of teaching an introduction to kung fu class filled with boisterous adorable bunnies. However, it becomes quickly engrossing as Po must reign in the eager youngsters by telling them that kung fu is not all about fighting.

By sharing the stories of his former idols and now allies, the legendary furious five from the main film, Po happily imparts lessons of patience, courage, confidence, discipline, and compassion with each flashback-driven, action-packed tale. Yet, still maintaining the fast pace and engrossing storytelling set forth with stunning animation, it provides a nice companion piece to the film as we realize that, as much as Po was an outsider when he was chosen to join Shifu, the furious five were also equally out of their depth as well.

While the DVD for the feature film is more focused on the technical aspects of the cinematic process, Furious Five is completely dedicated to entertaining its youngest fans. With some great interactive features including a Pandamonium Activity Kit (to coincide with the 2-DVD Package Set) that works in your DVD-Rom to games and a great artistic lesson that teaches kids to draw their favorite characters from the film, it's also filled with extra educational opportunities as you move into the "Land of the Panda" menu to discover more about the Chinese Zodiac, the animals from the film, and another kung fu lesson that parents will certainly want to supervise.

Also released in widescreen, along with the feature film to capture the theatrical aspect ratio, it's a great bonus for children and worth the investment for those of you interested enough in buying the original film to just bring home the two-pack to avoid an extra cost or second purchase down the road and by focusing on the positive, intellectual aspects of self-discipline and wisdom that coincide with kung fu, it makes a worthwhile double feature for children who may feel-- much like Po's unruly bunnies-- overly anxious to start trying to kick everything in sight.

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