Showing posts with label Laura Leighton. Show all posts
Showing posts with label Laura Leighton. Show all posts

6/18/2015

TV on DVD Review – Pretty Little Liars: The Complete Fifth Season (2014-2015)

Pretty Little Liars may indeed be guilty of endlessly teasing out the true identity of the villainous "A" that’s been stalking the quartet of high school beauties since before the show even began. However, because the show's escalating game of cat and mouse has been running for so long, those on both sides of the lens have gotten much better at playing it.

And luckily for viewers settling in with the twenty-five episodes that comprise the newly released fifth DVD box set, this translates to the strongest season of the wildly successful ABC Family Channel original series so far.

Though it’s a thoroughly modern series where the latest technological devices carry with them a threat on par with a deadly weapon, there’s always been something refreshingly old-fashioned about the structure and style of the of the fan favorite (also dubbed PLL).

Based on Sara Shepard’s collection of eponymous novels, Pretty Little Liars has long been obsessed with the past – in particular the consequences of its characters' adolescent sins under the rule of former Queen Bee, Alison DiLaurentis (played by Sasha Pieterse) that continue to control the fate of the so-called liars in the present.


Picking up exactly where the fourth season left off, season five begins with the aftermath of a gunshot blast which puts one person's life on the line while bringing another – namely Alison – back from the dead.

Reveling in the motifs of classic literature and film noir, the impressively shot season premiere makes thematic and cinematographic allusions to The Third Man as the very much alive Alison runs through the city streets, her shadow multiplying in size much like Orson Welles's did in Man as the unforgettable Harry Lime.

Although PLL’s tendency to focus solely on the identity of "A" in previous installments caused the narrative to stop and start as if playing musical chairs, fortunately the return of Alison brings with it a deeper understanding of the show's many enigmatic supporting players from Melissa to Mona and beyond.

Filling in some of the missing notes of what transpired the night that Alison was buried alive, Pretty Little Liars wisely moves beyond that played out song.

Far more interested in the long con overall, while the show still knows how to shock with its trademark startling third acts, in its fifth season, it shakes up the tempo, moving beyond the short term satisfaction of formulaic genre thrills. No longer content with one hit wonder watercooler moments, the increasingly unsettling last dozen episodes included in this binge-worthy collection achieve something closer in spirit to operatic tragedy.


Expanding the mythology of the series to reveal that the roots of the story most likely began with the parents of its characters, Pretty Little Liars indulges its passion for the past even more.

Never shying away from self-conscious theatricality, in stepping up its love of doubles, doppelgangers, strong character/color associations, red herrings, and Hitchcock blondes, Pretty Little Liars has morphed into one of cable’s strongest successors to David Lynch and Mark Frost’s early ‘90s ABC classic Twin Peaks complete with its own Laura Palmer by way of Alison DiLaurentis.

And while it's always played with point-of-view and unreliable narrators (at least in retrospect), season five marks the first time that we begin to see the cracks in the friendship of the girls – with and without Alison – last for longer than an episode. Thus it’s only fitting that the cover image for the DVD is a shattered mirror with the reflection of each girl contained within and separated from the next by a shard of glass.


Stumbling on new evidence concerning their neighbors, parents, lovers, and siblings – the group goes from lying to the police for Alison to discovering one of several lies their friend has told them in the place of truth.

Keeping additional secrets from one another leaves everyone wondering where their loyalties lie and likewise just how much they can trust the suspicious new residents that enter their lives like clockwork each and every season. Yet by cleverly changing the way they're reflected back to one another onscreen, the audience starts to view the characters in a new light as well.


Building upon the solid foundation of its intricately plotted, puzzling episodes including some season standouts written by showrunner I. Marlene King (and directed by supporting cast member Chad Lowe), even when Pretty Little Liars threatens to grow too convoluted with some questionable twists and turns that rely too heavily on the tunnel vision of its characters, its charismatic cast keeps it grounded in reality.

Though by now they could populate an entire town in sheer number alone, to their continual credit, the gifted ensemble (anchored by series standout Troian Bellisario), are able to turn on a dime– readily revealing unexpected personality traits from one moment to the next.

More specifically in season five, a classmate’s role goes from minor to major, leading to an alarming twist and a shocking revelation wherein we realize that – much like the other beloved characters we're now starting to suspect – one of the evil masterminds may have been hiding in plain sight since the show's series debut.


Thankfully whereas the lack of parental involvement defied logic to a more dubious degree earlier on, now that the characters have gotten a little older, Pretty Little Liars is able to more convincingly raise both the level of suspense along with its characters' independence.

Released just in time for the show's sixth season return, the DVD set offers us a great opportunity to get reacquainted with the characters to better prepare us for the show's promised "Summer of Answers.”

From a home explosion in the one hundredth episode to an elaborately preserved crime scene that's been transferred to a storage unit, the fifth season of Liars finds the fate of multiple characters in jeopardy while moving from creepy camp to deadlier stakes than we'd previously encountered thus far.


In its most frightening season bookend yet (that once again ties into the theme of karmic revenge), the girls go from lying about an abduction to protect their friend to becoming part of a horrific kidnapping plot for real in the span of twenty-five thunderously paced episodes.

To its credit, this season does answer some longstanding questions to a greater degree than the show did before in its maddening two steps forward, one step back approach. Nonetheless the chilling cliffhanger’s final moments make it obvious that – in staying true to the spirit of PLL since the very beginning – the key to solving the riddle and point of "A" has less to do with the future than it does with the past.

Now Available:
The Complete Series



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Text ©2015, Film Intuition, LLC; All Rights Reserved. http://www.filmintuition.com Unauthorized Reproduction or Publication Elsewhere is Strictly Prohibited and in violation of the Digital Millennium Copyright Act.  FTC Disclosure: Per standard professional practice, I may have received a review copy of this title in order to voluntarily decide to evaluate it for my readers, which had no impact whatsoever on whether or not it received a favorable or unfavorable critique.

2/09/2009

New on DVD and Blu-ray for the Week of 2/8/09

Jen's Pick of the Week:

Frozen River







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Against the Dark

Amadeus (Blu-ray)


Back to the Future (Re-releases)

Back to the Future
Back to the Future II
Back to the Future III

Blindness



The Boondock Saints (Blu-ray)



Chocolate



Clint Eastwood: American Icon Collection

Cross Creek

Curious George



Daniel's Daughter



Donnie Darko (Blu-ray)



Doom [Blu-ray]

The Enforcer



The Exterminating Angel - Criterion Collection

The Foot Fist Way



Friday the 13th: The TV Series (Season 2)



Frozen River



The Guitar



A History of Violence (Blu-ray)



The Inauguration of Barack Obama on CNN

Joni Mitchell's The Fiddle And The Drum

Kennedy: The Complete Series

La Strada



The Lodger



Melrose Place: Season 5, Vol. 1



Miracle at St. Anna



My Name is Bruce




NASCAR: The Ride of Their Lives

Nights in Rodanthe



The Paradine Case (Hitchcock)

The Pelican Brief [Blu-ray]

Picturing the Presidents



Ping Pong Playa (Blu-ray)



Pretty Woman (Blu-ray)



Raging Bull (Blu-ray)



Rona Barrett's Hollywood: Nothing But the Truth



Route 66 (Producer's Picks)



The Rundown [Blu-ray]

Sabotage (Hitchcock)

Shaun the Sheep: Back in the Ba-a-ath

She Stoops to Conquer



Simon & Simon: Season Two

Simon of the Desert - Criterion Collection

Soul Men



Street Fighter Extreme Edition [Blu-ray]

A Time to Kill (Blu-ray)



Tales from the Darkside: The First Season

W.




Wallace and Grommit



Whale Wars

What Just Happened



2/05/2009

DVD Review: Daniel's Daughter (2008)



Arrives on DVD
2/10/09





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As glossy as the pages of Perfect--the women's magazine successful editor-in-chief Cate Madighan (Melrose Place Golden Globe nominee Laura Leighton) runs from her perch in her posh, orchid accessorized New York office-- this high quality Hallmark sudsy made-for-television work blends a chick lit structured premise with the lush cinematography of lensman Francois Dagenais that weaves a magical spell through director Neill Fearnley's Daniel's Daughter.


Using what appears to be a golden filter to cast a honey-tinged look at the film's opening extended flashback that finds the young Cate facing both her mother's sudden death and her father's well-intentioned but shocking abandonment of his daughter under the delusion that she'd be better off raised with well-to-do relatives, Dagenais manages to convincingly disguise the production location of Ontario and give the viewer's an immediate homey connection to the film's small-town setting of New Kerry, Massachusetts. And in doing so, the result feels like a welcoming CW hybrid of the sea-based Dawson's Creek and quirky Stars Hollow from Gilmore Girls.


Quickly, we move from the 1982 beginning to the now high-powered Cate who has channeled her father issues and disappointments into increasingly demanding Type A perfection (making her magazine's title Perfect seem precisely on-the-nose). And as we see her highly caffeinated and adrenaline-fueled gift for juggling the various sections and assignments of her magazine-- in tandem with her chick-lit mandated gay assistant Jeffrey (Brendan Firla)-- as well as planning her wedding to a silver haired paternal Donald Trump styled media tycoon (eager to make Cate his third wife in a legally binding and unromantic arrangement which stipulates that there will never be children or pets brought into their "partnership"), we know it's only a matter of time before she crashes under the pressure.

Speeding up the breakdown is the arrival of her long estranged father's ashes and a posthumous letter dictating his wish that she return him to New Kerry to scatter his remains in the same location where her mother's ashes were deposited and that she manage to get together the two surviving members of his trio of Irish hobby singers to perform "Danny Boy" for the event.

Stunned that the first contact she has with her dad is from the beyond-- understandably Cate is torn between the rage of the abandonment as all of those pent-up frustrations come raging to the surface as well as a sense of duty or goal to accomplish a task set forth as she would advise any one of her Perfect readers.

Trying to prove her perfection as well as put her life in New Kerry and heartache behind her before her nuptials, she and Jeffrey return to the sleepy seaside Capraesque town with the firm intention of keeping her mission secret from her fiance as he doesn't like to deal with issues of a more personal nature.



Obviously, we know that relationship is doomed as the two more accurately resemble father and daughter as opposed to two people in love and faster than you can say "meet cute," Cate finds herself pursued by Connor Bailey (Sebastian Spence) a handsome small town attorney whose personality echoes classic Jimmy Stewart or Tom Hanks all presented in the package of a guy who looks as though he could be a long lost member of Mark Wahlberg's family.



When Cate finds herself reacquainted with good friends and reminders of her past (think Sweet Home Alabama meets The Holiday meets P.S. I Love You), suddenly she begins to reevaluate her hectic lifestyle and pending marriage which is nudged off course by both Connor and her own conscience by the realization that she may have underestimated what she really wanted out of life.



While it's highly predictable fare, scripter Tracey Rosen (incidentally the daughter of producer Gerald W. Abrams) delights us with the presentation of a truly intelligent heroine we can empathize with and understand along with some terrific quirky supporting players consisting of Martin Doyle, Derek McGrath, Olivia Palenstein and most of all via the film's stereotypical yet welcome source of gay best friend humor--embodied by Brandon Firla channeling Eric McCormack's Will without Grace and Rupert Everett in My Best Friend's Wedding.



Above all, it's a gorgeously photographed film that elevates Daniel's Daughter from many big screen chick flicks with big studio money devoted more to netting A-list actors as opposed to deserving talent in front of and/or behind the camera. However, I must admit that unfortunately the last fifteen minute of the movie suffers due to its "too many endings" syndrome.

Involving both an embarrassing Jim Cavaziel like Angel Eyes hillside soliloquy and a Truth About Cats and Dogs conclusion along with three other would-be endings, the concluding segment of Daughter seems to indicate Rosen assumed wasn't entirely sure how to tie the bow on her likable scripted present so figured that decorating it with as many ribbons as possible was the right way to go.



And while additionally we're not quite sure we buy the explanation of her father's abandonment, it's relatively easy to forgive thanks to the quality presentation, great performances, and abundance of both classy charm and substantive style.

Releasing on DVD from Genius Entertainment, (which also released another excellent Hallmark channel offering Charlie and Me) on February 10-- while it boasts zero additional bonus features, it's a good-hearted romantic work sure to appeal to fans of Maeve Binchy's Tara Road.