Showing posts with label Freddie Highmore. Show all posts
Showing posts with label Freddie Highmore. Show all posts

4/03/2008

Charlie and the Chocolate Factory




Director: Tim Burton

As beloved children’s novelist Roald Dahl wrote before the first chapter of Charlie and the Chocolate Factory in preparing readers for the plot, “there are five children,” in the tale but Charlie Bucket is “the hero.”

August Rush star Freddie Highmore who was recommended by his Finding Neverland costar Johnny Depp to director Tim Burton, plays Charlie Bucket, the sole young boy in the Bucket household who lives with his four grandparents and two parents “in a small wooden house on the edge of a great town.” Although relegated to a life of poverty and surviving on measly meals of cabbage soup, the Buckets are a kind and loving family who every year pool their money to get Charlie a Willy Wonka Chocolate Bar for his birthday.



Near the start of the film, five of Wonka’s chocolate bars which are made in the grand factory in Charlie’s community have been wrapped inside golden tickets that will gain its recipients a one-day pass to Wonka's factory. Four wicked children earn admission and after a few failed attempts, Charlie becomes one of the winners and brings his beloved Grandpa Joe along with him for the candy filled adventure.

Of course, as readers of the classic book and/or viewers of the 1971 film version Willy Wonka and the Chocolate Factory recall, the factory is as filled with mischief and danger as it is with edible delights but there’s no greater mystery than that of the factory owner himself, Willy Wonka who’s played by frequent Burton collaborator Johnny Depp in the newest adaptation.



Blending together personalities of game show and children’s television show hosts such as Mr. Rogers as inspiration, Depp crafted a unique take on the character that he described as “part Howard Hughes reclusive, part 1970’s glamorous rock star,” according to IMDb, although as many critics and viewers noted, it’s the physical appearance of feminine looking hair and teeth that had most of us creepily reminded of the once-dubbed King of Pop, Michael Jackson.

With an innovative screenplay from Go and Big Fish scribe John August, who had never seen the original film before he began writing the new film and only used Dahl’s book as his guide, we get first and foremost a more faithful version of the book. In addition, we also have the inclusion of a few new plot points such as giving Wonka a more fascinating back-story by making his father a dentist, that really make this work seem much more approachable than as August noted, the much darker original (IMDb), which frankly I never loved quite as much as most movie fans.



However, the script aside, a Tim Burton movie is uniquely Tim Burton and he’s the perfect choice for the director, including his unique and subtle cinematic fingerprints on each frame and some of the bravura sequences inside the factory along with five musical numbers (four of which came from Dahl) will leave you breathless. After you’ve gained back the wind that had been taken away from you by its sheer majesty, you'll find that at times it’s hard to decide whether or not it’s the delectable treats or the visual stimuli that make your mouth water but whatever the specific reason, Charlie and the Chocolate Factory would make an ideal film to show children and one that would be even better suited to reward kids and grandkids with after they’ve experienced the novel for the first time.

11/18/2007

August Rush

Director: Kirsten Sheridan

Kirsten Sheridan, daughter of director Jim Sheridan who collaborated with her sister and father on the Academy Award nominated screenplay for Jim’s In America crafted this gorgeous ode to childlike innocence, the power of the family blood and the magic of music sure to be a sleeper hit in the 2007 holiday season. With August Rush, Sheridan works from a script by Nick Castle and James V. Hart (based on a story by Castle and Paul Castro) that melds fairy tale elements with an homage to Charles Dickens’s Oliver Twist about Evan Taylor (Freddie Highmore) an eleven year old orphan boy who escapes the New York boys’ home where he’s taunted by others to track down his biological parents. Along the way he meets Arthur (or our “Artful Dodger”) played by Leon G. Thomas III, a fellow runaway turned street musician who takes pity on the goodhearted Evan and gives him shelter with the unstable schemer Wizard (Robin Williams who IMDb reports modeled his character on Bono). Together Wizard and Arthur realize Evan’s natural gift for music after the young prodigy becomes an accomplished guitarist literally overnight and soon Evan takes to the streets using the name August Rush and becomes a sensation. Although he later realizes it's his calling, Freddie Highmore with his infectious smile and earnest persona first becomes enamored of the idea of music as a way to reach his parents who viewers quickly learn were musicians in their own right in a beautiful flashback set-up at the beginning of the film. Waitress star Keri Russell plays the elegant Julliard trained cellist Lyla Novacek whose career is managed by her well-meaning but domineering father whose drive to keep his daughter sheltered and successful take a dramatic turn after she finds herself pregnant from a one-night stand with Louis Connelly, a gorgeous Irish lad (Jonathan Rhys Meyers, of course and thankfully keeping his accent) who’s a guitarist in an up-and-coming rock band made up of his brothers. The young lovers’ brief night that begins with Connelly crooning Van Morrison’s "Moondance" on a beautiful night on a rooftop overlooking New York’s Washington Square Park is one of the very few scenes Russell and Meyers share together onscreen and in fact, the main trio of actors are seldom seen occupying the same frame which may have been a problem in other films but in the hands of Sheridan, much credit is owed to her skill and ability to fill the rest of the cast with moving supporting players such as Terrence Howard as a genuinely caring child services worker named Richard Jeffries who finds himself moved by both Highmore and Russell’s pleas to track one another down. Although admittedly very little of the film feels at all real, August Rush is a beautiful and refreshingly optimistic family film filled with innocent idealism with just enough Dickensian elements thrown in for good measure—an escapist work with a wonderful musical soundtrack which will hopefully earn some recognition during award season.